منابع مشابه
Banishing the Poets
The main argument of this monograph,* if I understand it rightly (something its rather cloudy writing makes me uncertain of), is that the body of works often (and traditionally) grouped together under the rubric ‘ancient literary criticism’ should be understood not as contributions to aesthetics or criticism of literature as these terms are commonly understood today but rather as political inte...
متن کاملNeurosurgery in Turkish poetry: three poets, two poems and two neurosurgeons.
Poems are essential in art and vital organs in literature. Similarly, surgery (and neurosurgery) is also regarded to be an art in medicine. From Hippocrates to nowadays, there is a debate on whether medicine -especially surgery- is a kind of an art or a field of science or a combination of both. This close relation becomes clearer during the practice of surgery, especially in neurosurgery. Here...
متن کاملConsiders six of his favourite poets
This patient underwent breast surgery and a sentinel node biopsy performed shortly before the blood was taken. As part of the biopsy procedure, a dye (Patent Blue) is injected into the lymphatic system. After injection, patients are commonly noted to take on a grey appearance, and urine has a green discolouration . A striking green appearance of the serum has also been reported, but is seen unc...
متن کاملLatin poets (Geoffrey de Malvyn and PierreJosset), and Pierre de Laudun andJean Godard, and finally with poets' treatment of the Gauls and Gallic kings (Le Fevre de la Boderie,
National Myths in Renaissance France: Francus, Samothes and the Druids. By R. E. ASHER. Edinburgh: Edinburgh University Press. i993. 269 pp. ?45. The first part of this book, on historians, discusses the sources of French patriotic legends. R. E. Asher begins with those writers, starting with the seventh-century chronicler 'Fredegarius', who record the Trojan origin of the Franks, notably Trith...
متن کاملRoman Poets as Literary Historians Some Aspects of Imitatio ^
Literary history — like the history of any art — involves a special difficulty; it is that of reconciling a general scheme of development and a linear movement in time with the problem of the individual genius who creates new things. That has not been made easier in recent years when New Critics tried to expel the writer from the text, and then Deconstructionists called the very existence of th...
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ژورنال
عنوان ژورنال: The Classical Review
سال: 1900
ISSN: 0009-840X,1464-3561
DOI: 10.1017/s0009840x00079488